One of the most significant artistic breakthroughs in Quang Ho’s long career took place on day in West Virginia, when he carried his paints into an autumn forest gazed around at the spectacular beauty  – and didn’t paint.  Instead, he found himself compelled to simply be, absorbing the feeling of paying exquisite attention to the magnificence around him.

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American Legacy Fine Arts presents Quang Ho in Western Art & Architecture Magazine, February 2020.